图书简介
How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance.
Abstract; Table of Contents; List of Figures and Captions; Acknowledgements; Chapter 1: The Self Expressive Rhetoric of Flexible Meter; Self-Expressive Features; Flexible Meter and The Fiddle and the Drum; Self-Expression and the Singer-Songwriter; Expectations for Singer-Songwriter Music; Bob Dylan and The Folk Revival; Flexible Meter as Self-Expression in Singer-Songwriter Music; Chapter 2: The Theory of Flexible Meter; Types of Flexible Meter; Regular Meter; Reinterpreted Meter; Lost Meter; Ambiguous Meter; Metric Potential; Chapter 3: Regular and Reinterpreted Meter; Regular Meter; Reinterpreted Meter; Joni Mitchell’s Rhapsodic Sentiments; Paul Simon: Reinterpreted Meter Expressing Enigmatic Lyrics; Cat Stevens’s Introspection; A Closer Look: Joni Mitchell’s Lesson in Survival; Chapter 4: Self-Expressive Innovations: Lost Meter; Bob Dylan’s Only a Pawn in Their Game; Cat Stevens’s Time; Joni Mitchell’s Blue; Chapter 5: Intensifying Imperfection: Ambiguous Meter; Bob Dylan’s Down the Highway; Bob Dylan’s Restless Farewell; Joni Mitchell’s The Fiddle and the Drum; Buffy Sainte-Marie’s Sir Patrick Spens; Chapter 6: What Happens Next? Self-Expressive Flexible Meter; Beyond 1982; Future Singer-Songwriters; Buffy Sainte-Marie’s My Country (1966); My Country (1966, Rainbow Quest); My Country (2017, Medicine Songs); Conclusion: Flexible Meter as Self-Expression; Index
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