图书简介

1. Introduction: Teaching the Global Renaissance  2. Workshops: Translations of media and techniques  2. Introduction to Part 1: The Mechanics of Cultivating Desire: Connecting Early Modern Objects, Artisans, and Workshops  2.1 Between Cairo and China: Design, Paper, and Ottoman Metalwork c. 1500  2.2 Your Parcel is on the Way: Netherlandish Carved Altarpieces as Exported Products in the Early Sixteenth Century  2.3 Early Modern Artistic Globalization from Colonial Mexico: The Case of Enconchados  2.4 Nanban Lacquer: Global Styles and Materials in a Japanese Cabinet  2.5 The Global Renaissance in Colonial Mexico: The Case of Talavera Poblana Ceramics  2.6Material Histories of Whiteness and Jingdezhen Porcelain  3. Terminology: Alternative Geographies and Temporalities  3. Introduction to Part 3: The ‘Renaissance,’ the Revenant: A Hauntology of Art History  3.1 Sovereign Time: A Clockwork Art History  3.2 Global Ivories: cross-cultural appropriations, dialogues, and (dis)connected art histories between Europe and South Asia  3.3 Palermo’s Renaissance Misfit  3.4 Materials and Medallions: Picturing Global Objects from Early Modern Paris  3.5 A Global Experiment in Printing: The Circulation of the Nestorian Stele from Xi’an  3.6 Decentering the Renaissance: Afro-Eurasian Itineraries of Mamluk Metalwork  3.7 Otter Offerings: Indigenous Art History and Extractive Ecologies in the Circumpolar North  4.Transregional Emulations/Rethinking Empire  4. Introduction to Part 4: The Mimetics and Discontents of Empire 4.1 Sigismund III of Poland, Persian Carpets, and the Pitfalls of Provenience  4.2 The Mughal Imperial Image between Manuscript and Print  4.3 Saved by Medusa: The Medici Moor from the Bargello to the Met Breuer  4.4 Benin Ivory Pendant Pair: Honoring an Ambitious Mother  4.5 The Art of the Book in early modern Kashmir: The case of an Illuminated Manuscript of Diwan-i Hafiz  4.6 Forging cultural universes in the Mediterranean R

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