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FROM WESSEX POEMS AND OTHER VERSES (1898); Preface [extract]; The Temporary the All; Hap; A Confession to a Friend in Trouble; Neutral Tones; She; Her Initials; Her Dilemma; She, to Him, I; a ? , II; a ? , III; a ? , IV; Ditty; Valenciennes; San Sebastian; The Stranger s Song; The Burghers; Leipzig; My Cicely; Friends Beyond; Thoughts of Ph a; Middle-Age Enthusiasms; In a Wood; To an Orphan Child; Nature s Questioning; The Impercipient; At an Inn; In a Eweleaze near Weatherbury; I Look into my Glass; FROM POEMS OF THE PAST AND THE PRESENT (1901); Preface [extract]; War Poems; Embarcation; The Dead Drummer; A Wife in London; The Souls of the Slain; The Sick God; Poems of Pilgrimage; Genoa and the Mediterranean; Shelley s Skylark; In the Old Theatre, Fiesole; Rome: Building a New Street in the Ancient Quarter; Lausanne: In Gibbon s Old Garden; Miscellaneous Poems; The Mother Mourns; A Commonplace Day; At a Lunar Eclipse; The Subalterns; God-Forgotten; The Bedridden Peasant to an Unknowing God; Mute Opinion; To an Unborn Pauper Child; The Well-Beloved; A Broken Appointment; Between us now; A Spot; His Immortality; The Superseded; An August Midnight; Winter in Durnover Field; The Last Chrysanthemum; The Darkling Thrush; Mad Judy; A Wasted Illness; The Ruined Maid; The Respectable Burgher on the Higher Criticism; Her Late Husband; The Self-Unseeing; De Profundis I.; De Profundis II.; De Profundis III.; The Lost Pyx: A Mediaeval Legend; Tess s Lament; The Supplanter : A Tale; Imitations, etc.; From Victor Hugo; Retrospect; I have Lived with Shades; Memory and I; a???????? ????; FROM THE DYNASTS (1904-08); Part 3, Act VI: scene viii: the road to Waterloo (extract); Part 3, Act VII, scene ix: The Wood of Bossu; Part 3, After Scene (extract); From Select Poems of William Barnes. chosen and edited by Thomas Hardy (1908); Preface [extract]; FROM TIME’S LAUGHINGSTOCKS AND OTHER VERSES (1909); Preface [Extract]; Time s Laughingstocks; The Revisitation; A Trampwoman s Tragedy; A Sunday Morning Tragedy; Bereft; The Rejected Member s Wife; The Farm-Woman s Winter; Autumn in the Park; Shut out that Moon; The Dead Man Walking; Love Lyrics; The Division; On the Departure Platform; The Phantom; The Night of the Dance; The Voice of the Thorn; The Minute before Meeting; He abjures Love; A Set of Country Songs; Let me Enjoy; At Casterbridge Fair; I: The Ballad Singer; II: Former Beauties; III: After the Club-Dance; VII: After the Fair; The Dark-eyed Gentleman; To Carrey Clavel; The Spring Call; Julie-Jane; Pieces Occasional and Various; A Church Romance; The Christening; A Dream Question; By the Barrows; A Wife and Another; The Roman Road; After the Last Breath; In Childbed; The Pine Planters; One We Knew; Before Life and After; New Year s Eve; His Education; Panthera; The Unborn; The Man He Killed; Geographical Knowledge; One Ralph Blossom Soliloquizes; G. M., 1828-1909; FROM THE BOOK OF BABY BEASTS (1911); The Polar Bear; The Rat; The Calf; FROM THE BOOK OF BABY BIRDS (1912); The Yellow-Hammer; The Duckling; The Tropic Bird; FROM SATIRES OF CIRCUMSTANCE, LYRICS AND REVERIES WITH MISCELLANEOUS PIECES (1914); Lyrics and Reveries; In Front of the Landscape; Channel Firing; The Convergence of the Twain; The Ghost of the Past; When I set out for Lyonnesse; A Thunderstorm in Town; Beyond the Last Lamp; Lost Love; My spirit will not haunt the mound; Wessex Heights; The Place on the Map; Where the Picnic was; Satires of Circumstance; I: At Tea; II: In Church; VIII: In the Study; X: In the Nuptial Chamber; XI: In the Restaurant; XIV: Over the Coffin; XV: In the Moonlight; Lyrics and Reveries (continued); The Year s Awakening; Under the Waterfall; The Spell of the Rose; St Launce s revisited; Poems of 1912-13; The Going; Your Last Drive; The Walk; Rain on a Grave; I found her out there; Without Ceremony; Lament; The Haunter; The Voice; His Visitor; A Circular; A Dream or No; After a Journey; A Death-day recalled; Beeny Cliff; At Castle Boterel; Places; The Phantom Horsewoman; Miscellaneous Pieces; The Wistful Lady; The Woman in the Rye; The Re-enactment; The Newcomer s Wife; A King s Soliloquy; A Week; Had you wept; Bereft, she thinks she dreams; In the British Museum; In the Servants Quarters; Regret not me; The Telegram; The Moth-signal; Seen by the Waits; Exeunt Omnes; Postscript; Men who march away; FROM THE BOOK OF BABY PETS (1915); About Lizards; FROM MOMENTS OF VISION AND MISCELLANEOUS VERSES (1917); Moments of Vision; The Voice of Things; Why be at painsa; We sat at the window; Afternoon Service at Mellstock; Apostrophe to an Old Psalm Tune; At the Word Farewell; The Day of First Sight; Heredity; You were the sort that men forget; She, I, and They; Near Lanivet, 1872; Copying Architecture in an Old Minster; To Shakespeare; Quid hic agisa; Timing Her; The Blinded Bird; The wind blew words; The Riddle; To my Father s Violin; The Change; The Young Churchwarden; Lines to a Movement in Mozart s E-flat Symphony; In the seventies; The Pedigree; The Peace-offering; Something Tapped; The Wound; A January Night; The Announcement; The Oxen; An Anniversary; Transformations; The Last Signal; Great Things; The Figure in the Scene; Love the Monopolist; At Middle-field Gate in February; The Head above the Fog; Overlooking the River Stour; The Musical Box; On Sturminster Foot-bridge; The Last Performance; Logs on the Hearth; The Caged Goldfinch; The Five Students; The Wind s Prophecy; During Wind and Rain; He prefers her Earthly; Looking Across; The Pedestrian; Who s in the next rooma; At a Country Fair; Paying Calls; Everything Comes; Midnight on the Great Western; The Clock-winder; Old Excursions; In a Whispering Gallery; On the Doorstep; The Clock of the Years; The Shadow on the Stone; An Upbraiding; The Young Glass-Stainer; While drawing in a Churchyard; Poems of War and Patriotism; His Country; The Pity of It; In Time of the Breaking of Nations; Before Marching and After; A Call to National Service; I looked up from my writing; Finale; Afterwards; FROM LATE LYRICS AND EARLIER WITH MANY OTHER VERSES (1922); Apology [Extract]; Weathers; The Maid of Keinton Mandeville; Summer Schemes; Faintheart in a Railway Train; The Garden Seat; The Curtains now are drawn; According to the Mighty Working; Going and Staying; The Dissemblers; The Old Gown; A Duettist to Her Pianoforte; Where Three Roads joined; And There was a Great Calm; The Woman I met; On Stinsford Hill at Midnight; The Fallow Deer at the Lonely House; The Wanderer; At Lulworth Cove a Century back; At the Railway Station, Upway; Side by Side; The Beauty; On the Tune called the Old-hundred-and-fourth; The Opportunity; The Rift; Voices from Things growing; By Henstridge Cross at the Year s End; The Chapel-Organist; Fetching her; Could I but will; After a Romantic Day; He follows Himself; Without, not within Her; The Little Old Table; Last Words to a Dumb Friend; On One who lived and died where He was born; Outside the Casement; The Passer-by; I was the midmost; The Whitewashed Wall; The Seven Times; The Sun s Last Look on the Country Girl; An Ancient to Ancients; After reading Psalms XXXIX, XL.; Surview; FROM THE FAMOUS TRAGEDY OF THE QUEEN OF CORNWALL (1924); Could he but live for me; FROM HUMAN SHOWS, FAR PHANTASIES, SONGS, AND TRIFLES (1925); Waiting both; Any little Old Song; The Turnip-hoer; Circus-rider to Ringmaster; The Later Autumn; Let me; An East-end Curate; Coming up Oxford Street: Evening; A Spellbound Palace; When dead; Sine Prole; Ten Years since; A Sheep Fair; Snow in the Suburbs; Ice on the Highway; Queen Caroline to her Guests; The Weary Walker; Last Love-word; Nobody comes; In the Street; So, Time; Last Look round St. Martin s Fair; A Leader of Fashion; When Oats were reaped; She opened the Door; The Harbour Bridge; Vagrant s Song; The Shiver; At the Aquatic Sports; At the Mill; Alike and Unlike; The Thing unplanned; Retty s Phases; He inadvertently cures his Love-pains; Known had I; Shortening Days at the Homestead; The Paphian Ball; The Bird-catcher s Boy; Song to an Old Burden; Why do Ia; FROM WINTER WORDS IN VARIOUS MOODS AND METRES (1928); Introductory Note [extract]; The New Dawn s Business; Proud Songsters; Thoughts at Midnight; I am the One; A Wish for Unconsciousness; To Louisa in the Lane; The Love-letters; Throwing a Tree; Her Second Husband hears her Story; Yuletide in a Younger World; Lying awake; Childhood among the Ferns; A Countenance; Silences; To a Tree in London; The Dead Bastard; The Mongrel; Concerning Agnes; We Field-Women; A Practical Woman; He never expected much; Standing by the Mantelpiece; Christmas: 1924; Family Portraits; We are getting to the End; He resolves to say no more; FROM FLORENCE HARDY, THE EARLY LIFE OF THOMAS HARDY, 1840-1891 (1928); Domicilium; TH s remarks on poetry from journals and diaries; FROM FLORENCE HARDY, THE LATER YEARS OF THOMAS HARDY, 1892-1928 (1930); TH s remarks on poetry from journals and diaries

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