Dance Discourse in Shakespeare and His Contemporaries: A Corpus Stylistic Approach

图书简介

This book provides a thorough analysis of terpsichorean lexis in Renaissance drama. Besides considering not only the Shakespearean canon, but also the Bard’s contemporaries (e.g. dramatists as John Marston and Ben Jonson among the most refined Renaissance dance aficionados), the originality of this volume is highlighted in both its methodology and structure. As far as methods of analysis are concerned, corpora such as EEBO and corpus analysis tools such as #LancsBox, AntConc or the Sketch Engine software are used in order to offer the widest range of examples possible from early modern plays and provide co-textual references for each dance. Examples from Renaissance playwrights are fundamental for the analysis of connotative meanings of the dances listed and their performative, poetic and metaphoric role in sixteenth- and seventeenth-century drama. This study will be of great interest to Renaissance researchers, lexicographers and dance historians.

Acknowledgements Introduction Part I Dancing in early modern England: A historical overview Continental and autochthonous sources for early modern dances in England Dancing at the Inns of Court Diaries and annals John Playford’s The English Dancing Master (1651) Salome vs David: The early modern querelle on dance between Neoplatonists and Puritans Folk and courtly dances From Elizabeth to Charles, through James: Dance and politics Part II Dance and/as language: State of the art and methodological issues A language for dance: Dance as language Language about dance: Matters of textual and corpus linguistics Early modern English lexicography: Limiting the scope Corpus selection and investigation The VEP Early Modern Drama Collection The #Lancsbox software and lexical analysis Which words to look for Part III Analysis: The lexicon of dance in early modern English plays: An annotated glossary A - Almain/Allemand(e) B - Bergomask; Branle/Brawl C - Canary; Cinquepace/Sinkapace; Coranto/Courante; Country Dance; Cushion Dance D - Dance G - Galliard H - Hay; Horn(e/i)pipe J - Jig/Gig/Gigue L - (La)volta M - Maypole Dance; Measure; Moresca/Morisco; Morris Dance P - Passamezzo; Pavan R - Round(el)/Ring(let) Conclusion Index

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Dance Discourse in Shakespeare and His Contemporaries: A Corpus Stylistic Approach（SPEMD (Studies in Performance and Early Modern Drama)） 莎士比亚及其当代人的舞蹈话语：语料库的风格学方法 舞蹈

Dance Discourse in Shakespeare and His Contemporaries: A Corpus Stylistic Approach（SPEMD (Studies in Performance and Early Modern Drama)）

莎士比亚及其当代人的舞蹈话语：语料库的风格学方法
舞蹈