Music, the Moving Image and Ireland, 1897-2017

图书简介

Music, the Moving Image and Ireland, 1897–2017 constitutes the first comprehensive study of music for screen productions from or relating to the island. It identifies and interprets tendencies over the first 120 years of a field comprising the relatively distinct yet often overlapping areas of Irish-themed and Irish-produced film. Dividing into three parts, the book first explores accompaniments and scores for 20th-century Irish-themed narrative features that resulted in significant contributions by many Hollywood, British, continental European and, to a lesser extent, Irish composers, along with the input of many orchestras and other musicians. Its second part is framed by a consideration of various cultural, political and economic developments in both the Republic of Ireland and Northern Ireland from the 1920s (including the Troubles of 1968–1998). Focusing on scoring and other aspects of soundtrack production for domestic newsreel, documentary film and TV programming, it interprets the substantial output of many Irish composers within this milieu, particularly from the 1960s to the 1990s. Also referring to broader cultural and historical themes, the book’s third and final part charts approaches to and developments in music and sound design over various waves of Irish cinema, from its relatively late emergence in the 1970s to an exponential growth and increasingly transnational orientation in the early decades of the 21st century.

Introduction: Music, the moving image, and Ireland Conceiving the field A national cinema? Aims and methods Representing Ireland Musical tropes and their alternatives: a book of three parts Musical and ideological readings Part 1: Irish Themes on Screen and in Sound Chapter 1: The first half-century: From silent newsreel to narrative sound film The beginnings of Irish cinema Early Irish-themed sound film Max Steiner and Irish-themed film British and Irish film: the mid-to-late 1930s Irish-themed British film music: William Alwyn The luck of the Irish? Chapter 2: Harping on? The 1950s to the 1990s The early to mid-1950s Irish-produced and Irish-themed Fighters, writers and leprechauns Different directions in the 1970s Re-working sonic Irishness Chapter 3: Literature-to-film adaptations and music O’Casey and Synge Joyce, music and film New generations of writers Elmer Bernstein and adapted Irish screenplays End-of-century adaptations Part 2: Perception and Production from Within Chapter 4: Sounding nation and culture on screen Early perspectives on the independence struggle Anthropology and ideology Nation building Tourism, heritage and the natural world Commemoration Documenting tradition in a modern age Chapter 5: Soundtracks to Ireland’s troubles: dramas and documentaries The long 19th century on TV The Northern Ireland Troubles in documentary film The mid-1990s: A new aesthetic for Troubles documentaries? Critical perspectives on the Republic: the 1960s Continuing themes of unemployment, emigration and diaspora Ab

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Music, the Moving Image and Ireland, 1897-2017（Ashgate Screen Music Series） 音乐、动态影像与爱尔兰 1897–2017 音乐

Music, the Moving Image and Ireland, 1897-2017（Ashgate Screen Music Series）

音乐、动态影像与爱尔兰 1897–2017
音乐