图书简介

1 Adam Smyth: An Introduction: Thinking about the history of the book; 2 Claire M.L. Bourne: The Handmaids’ Tale: Book History, Shakespeare, and Women’s Textual Labour; 3 Megan Heffernan: Cataloguing the Past: Periodisation and the Historiography of Print; 4 Jeffrey Todd Knight: The Scale of Book History: Data, Distance, Description; 5 Brandi K. Adams: ’Inlaid with inkie spots of jet’: Early modern book history and premodern critical race studies; 6 Brian Cummings: Religion and the history of the book; 7 Alexandra Franklin and Richard Lawrence: Printing and book history: Insights from practice; 8 Jason Scott-Warren: Monuments and trifles: which books do we use to tell the history of the book?; 9 Paul Nash: What was a print shop, and what happened there?; 10 Tamara Atkin: Scribes, Compositors, Correctors; 11 Stephen B. Dobranski: Authors; 12 Kirk Melnikoff: Publishing Virginia (1608-15): Specialization, Commissioning, Networks; 13 Rachel Stenner: Regional book and print trades; 14 Katherine Hunt: Representing the labour of printing in image and text; 15 Jason Peacey: Printing and the Universities; 16 Michael Hunter: Illustrated books; 17 James Misson: Typography; 18 Harriet Philips: Beyond the book: non-codex texts; 19 Adrian Johns: Science and the book in early modern England; 20 Anna Reynolds: Waste, offcuts, remains, reuse; 21 Ben Higgins: ’The Book-sellars Shop’: Browsing, Reading, and Buying in Early Modern England; 22 Hanna de Lange and Andrew Pettegree: Internationalism and the English book trade; 23 Tara L. Lyons: ’A Gifte of good Moment’: A New History of the Stationers’ Benevolence to the Bodleian Library, 1610 to 1616; 24 A.E.B. Coldiron: Multi-lingual print; 25 Michelle O’Callaghan: Contexts for Circulation: Households, University, Inns of Court, and Professional Circles; 26 H.R. Woudhuysen: From Duck Lane to Lazarus Seaman: Buying and Selling Old Books in England during the Sixteenth and Seventeenth Centuries; 27 Sujata Iyengar: Conversations about Time and Space: Early Modern Books and Contemporary Artists’ Books; 28 Jeff Dolven: The Early Modern Book as Metaphor; 29 Caroline Duroselle-Melish: Past, Present, and Future: Early Modern Collections and the Work of a Curator; 30 Emma Smith: Self-reading books: marginalia, prosopopoeia and book history; 31 Georgina Wilson: Book modification; 32 Bruce R. Smith: Early Modern Books and Phonography; 33 Alexandra Hill: Transience and loss

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