Introduction; Modernist Innovation versus Academic Convention: Some Late Nineteenth and Early Twentieth-Century Examples; Neoclassicism and Romanticism: Precursors to Modern Art ; Chapter 1: Realism, Impressionism in France, Britain, and the United States, c. 1850-1880; Realism in France; Gustave Courbet (1819-1877); Jean-Francois Millet (1814-1875); Rosa Bonheur (1822-1899); Realism in Britain: The Pre-Raphaelite Brotherhood; John Everett Millais (1829-1896); Ford Madox Brown (1821-1893); The Later Pre-Raphaelite Movement; The Aesthetic Movement: James Abbott McNeill Whistler (1834-1903); Early Photography; The Early Technical Development of Photography; Photography as Art; Oscar Rejlander (1813-1875); Gustave Le Gray (1820-1884); Masters of Mid-Nineteenth-Century Portrait Photography: Nadar and Julia Margaret Cameron; Nadar (1820-1910); Julia Margaret Cameron (1815-1879); Documentary Photography; The Painting of Modern Life: Edouard Manet (1832-1883); Le Dejeuner sur l’herbe (1863); Olympia (1863); Manet’s Last Major Painting: A Bar at the Folies-Bergere (1882); Impressionism; Claude Monet (1840-1926); Pierre-Auguste Renoir (1841-1919); Berthe Morisot (1841-1895); Edgar Degas (1834-1917); Mary Cassatt (1844-1926); Realism in Later Nineteenth-Century American Painting; Winslow Homer (1836-1910); Thomas Eakins (1844-1916); Henry Ossawa Tanner (1859-1937); Chapter 2: Post-Impressionism and Symbolism: Painting and Sculpture in Europe, c. 1886-1910; Post-Impressionist Painters of Modern Life: Georges Seurat and Henri de Toulouse-Lautrec; Georges Seurat (1859-1891); Henri de Toulouse-Lautrec (1864-1901); Paul Cezanne (1839-1906); Symbolism; Precursors of Symbolism: Gustave Moreau, Pierre Puvis de Chavannes, and Odilon Redon; Paul Gauguin (1848-1903); Precursors of Expressionism: Vincent van Gogh, Edvard Munch, and James Ensor; Vincent van Gogh (1853-1890); Edvard Munch (1863-1944); James Ensor (1860-1949); Late 19th-Century Modern Sculpture in France; Auguste Rodin (1840-1917); Camille Claudel (1864-1943); Medardo Rosso (1858-1928); The Nabis; Edouard Vuillard (1688-1940) and Pierre Bonnard (1867-1947); Chapter 3: Expressionism in France, Germany, and Austria; Fauvism; The Fauvism of Henri Matisse (1869-1954); Matisse after Fauvism; Andre Derain (1880-1954) and Maurice de Vlaminck (1876-1958); Emilie Charmy (1878-1974); Contemporaries of the Fauves: Georges Rouault and Aristide Maillol; Georges Rouault (1871-1958); Aristide Maillol (1861-1944); German Art at the Turn of the Twentieth Century; Paula Modersohn-Becker (1876-1907); Kathe Kollwitz (1867-1945); Die Brucke; Ernst Ludwig Kirchner (1880-1938); Erich Heckel (1883-1970); Emil Nolde (1867-1956); German Expressionist Sculpture; Ernst Barlach (1870-1938); Wilhelm Lehmbruck (1881-1919); Der Blaue Reiter; Vasily Kandinsky (1866-1944); Gabriele Munter (1877-1962); Franz Marc (1880-1916); Paul Klee (1879-1940); Expressionism in Austria; Oskar Kokoschka (1886-1980); Egon Schiele (1890-1918); Chapter 4: The Cubist Revolution; Pablo Picasso (1881-1973): His Early Career; Georges Braque (1882-1963): His Early Career; Picasso’s and Braque’s Development of Cubism; Analytic Cubism: 1909-1911; Collage, Papier Colle, Assemblage, and Synthetic Cubism: 1912-1914; Cubist Sculpture; Aleksandr Archipenko (1887-1964); Raymond Duchamp-Villon (1876-1918); Jacques Lipchitz (1891-1973); Salon Cubism; Marie Laurencin (1883-1956); Juan Gris (1887-1927); Maria Blanchard (1881-1932); Fernand Leger (1881-1955); Robert Delaunay (1885-1941); Sonia Delaunay-Terk (1885-1979); Frantisek Kupka (1871-1957); Marcel Duchamp (1887-1968); Futurism; Giacomo Balla (1871-1958); Antonio Guilio Bragaglia (1890-1960); Gino Severini (1883-1966); Umberto Boccioni (1882-1916); Antonio Sant’Elia (1888-1916); Vorticism; Chapter 5: Modern Architecture in Western Europe and the United States, Late Nineteenth Century to World War I; Beaux-Arts Architecture: Charles Garnier’s Paris Opera; Iron Architecture for the International Expositions; William Morris (1834-1896) and the Arts and Crafts Movement; C. F. A. Voysey (1857-1941); Charles Rennie Mackintosh (1868-1928); Art Nouveau; Victor Horta (1861-1947); Hector Guimard (1867-1942); Antoni Gaudi (1852-1926); Turn-of-the-Century Modern Architecture in Vienna; Otto Wagner (1841-1918); The Vienna Secession; Joseph Maria Olbrich (1867-1908); Josef Hoffmann (1870-1956); Adolf Loos (1870-1933); The New American Architecture; H. H. Richardson (1838-1886); The Chicago School and the Rise of the Skyscraper; Louis Sullivan (1856-1924) and the Tall Building Artistically Considered; The White City; Frank Lloyd Wright (1867-1959); Early Twentieth-Century Modern Architecture in Germany: The Deutscher Werkbund; Peter Behrens (1868-1940); Walter Gropius (1883-1969) and Adolf Meyer (1881-1929); Chapter 6: The Russian Avant-Garde, De Stijl, and the Bauhaus; The Avant-Garde in Russia; Mikhail Larionov (1881-1964) and Natalia Goncharova (1881-1962); Liubov Popova (1889-1924); Kazimir Malevich (1879-1935) and Suprematism; El Lissitzky (1890-1941); Vladimir Tatlin (1885-1953) ; Constructivism; Aleksandr Rodchenko (1891-1956); Varvara Stepanova (1894-1958); Naum Gabo (1890-1977) and Anton Pevsner (1886-1962); De Stijl; Piet Mondrian (1872-1944); Theo van Doesburg (1883-1931); Gerrit Rietveld (1888-1964); The Bauhaus; Walter Gropius (1883-1969)’s Bauhaus Building; Paul Klee (1879-1940); Vasily Kandinsky (1866-1944); Laszlo Moholy-Nagy (1895-1946); Marianne Brandt (1893-1983); Josef Albers (1888-1976); Gunta Stolzl (1897-1983); Anni Albers (1889-1994); Chapter 7: Dada and the New Objectivity; Zurich Dada; Jean (Hans) Arp (1886-1966); Sophie Taeuber-Arp (1889-1943) ; New York Dada; Marcel Duchamp (1887-1968); Francis Picabia (1879-1953); Man Ray (1890-1976); Dada in Germany; Raoul Hausmann (1886-1971); Hannah Hoch (1889-1978); John Heartfield (1891-1968); Kurt Schwitters (1887-1948); Max Ernst (1891-1976); The New Objectivity; George Grosz (1893-1959); Otto Dix (1891-1969); August Sander (1876-1964); Max Beckmann (1884-1950); Chapter 8: Surrealism; Surrealist Visual Art; Early Twentieth-Century Precursors of Surrealism: Henri Rousseau (1844-1910), Marc Chagall (1887-1985), and Giorgio de Chirico (1888-1978); Abstract Surrealist Painting ; Andre Masson (1896-1987); Joan Miro (1893-1983); Max Ernst (1891-1976); Matta (1911-2002); Illusionistic Surrealist Painting; Yves Tanguy (1900-1955); Salvador Dali (1904-1989); Rene Magritte (1898-1967); Leonora Carrington (1917-2011); Dorothea Tanning (1910-2012); Surrealist Sculpture; Alberto Giacometti (1901-1966); Jean Arp (1886-1966); The Surrealist Object; Meret Oppenheim (1913-1985) ; Surrealism and Photography; Eugene Atget (1857-1927); Man Ray (1890-1976); Raoul Ubac (1910-1985); Dora Maar (1907-1997); Claude Cahun (1894-1954); Andre Kertesz (1894-1985); Brassai (1899-1984); Henri Cartier-Bresson (1908-2004); Chapter 9: Art in France and England between the World Wars; Les Maudits; Amedeo Modigliani (1884-1920); Chaim Soutine (1893-1943); Suzanne Valadon (1865-1938); The Later Work of Henri Matisse; The Later Work of Georges Braque; The Later Work of Pablo Picasso; School of Paris Sculpture; Julio Gonzalez (1876-1942); Jacques Lipchitz’s Later Work; Constantin Brancusi (1876-1957); The Later Work of Fernand Leger; Purism; Modern Art in England between the Wars ; Stanley Spencer (1891-1959); Paul Nash (1889-1946); The Early Work of Henry Moore (1898-1986); The Early Work of Barbara Hepworth (1903-1975); Ben Nicholson (1894-1982); Chapter 10: Modern Art in the United States, Canada, and Latin America, c. 1900-1945; Modern Realism in New York: The Ashcan School; Robert Henri (1865-1929); George Bellows (1882-1925); Art and Reform: Abastenia St. Leger Eberle (1878-1942) and Lewis Hine (1874-1940); Alfred Stieglitz (1864-1946) and the Rise of Abstraction; Gertrude Kasebier (1852-1934); Stieglitz as a Photographer; Stieglitz’s Support of American Painters; Arthur Dove (1880-1946) and John Marin (1870-1953); Marsden Hartley (1877-1943); Georgia O’Keeffe (1887-1986); Modernist Photography in California: Edward Weston (1886-1958) and Group f.64; The Machine Aesthetic and Precisionism; Charles Demuth (1883-1935); Charles Sheeler (1883-1965); The Harlem Renaissance; Aaron Douglas (1899-1979); James Van Der Zee (1886-1983); Augusta Savage (1892-1962); Jacob Lawrence (1917-2000); Picturing the American Scene; Edward Hopper (1882-1967) Thomas Hart Benton (1889-1975); John Steuart Curry (1897-1946) and Grant Wood (1891-1942); Ben Shahn (1898-1969); Photographers of Rural Poverty: Dorothea Lange (1895-1965) and Walker Evans (1903-1975); US Abstraction in the 1930s; Stuart Davis (1892-1964); Alexander Calder (1898-1976); Modern Art in Canada; Tom Thomson (1877-1917) and the Group of Seven; Lawren Harris (1885-1970); Emily Carr (1871-1945); Modern Art in Latin America; Brazil; Tarsila do Amaral (1886-1973); Mexico; Diego Rivera (1886-1957); Frida Kahlo (1907-1954); Manuel Alvarez Bravo (1902-2002); Cuba; Amelia Pelaez (1896-1968); Wifredo Lam (1902-1982); Uruguay: Joaquin Torres-Garcia (1874-1949); Argentina; Xul Solar (1887-1963); Concrete Abstraction in Argentina; Chapter 11: Modern Art in Asia: India, Japan, Korea, and China, c. 1900-1945; India; Abanindranath Tagore (1871-1951); Gaganendranath Tagore (1867-1938); Rabindranath Tagore (1861-1941); Amrita Sher-Gil (1913-1941); Jamini Roy (1887-1972); Japan; Ernest Fenellosa, Okakura Kakuzo, and Nihonga; Yokoyama Taikan (1868-1958) and Hishida Shunso (1874-1911); Yoga: Kuroda Seiki (1866-1924); The Fuzainkai and the Nikakai; Yorozu Tetsugoro (1885-1927); Mavo; Surrealism; Korea; Ko Hui-dong (1886-1965); Kim Kwan-ho (1890-1959); The Choson Art Exhibition, Local Colors, and Lee-In-sung (1912-1950); The New Woman; Abstraction: Kim Whan-ki (1913-1974); China; The Shanghai School; Chen Hengke (1876-1923) and Qi Baishi (1864-1957); Gao Jianfu (1879-1951) and the Lingnan School; Cai Yuanpei and the New Culture Movement; Xu Beihong (1895-1953); Lin Fengmian (1900-1991); The First National Exhibition of Art and the Xu Beihong-Xu Zhimo Debate; Guan Zilan (1903-1986); The Storm Society; Lu Xun and the Modern Woodcut Movement; Chapter 12: Postwar Art in the United States: Abstract Expressionism and the New American Sculpture and Photography; Early Abstract Expressionism; Arshile Gorky (1904-1948); The Early Work of Mark Rothko (1903-1970); The Early Work of Jackson Pollock (1912-1956) ; Action Painting; Jackson Pollock’s Drip Paintings; Lee Krasner (1908-1984); Willem de Kooning (1904-1997); Franz Kline (1910-1962); Joan Mitchell (1925-1992); Color Field Painting; Clyfford Still (1904-1980); Rothko’s Later Work; Barnett Newman (1905-1970); Between Gesture and Field; Adolph Gottlieb (1903-1974); Robert Motherwell (1915-1991); Norman Lewis (1909-1979); Ad Reinhardt (1913-1967) ; Figurative Painting in the Age of Abstract Expressionism; East Coast Artists: Andrew Wyeth (1917-2009), Grace Hartigan (1922-2008), and Larry Rivers (1923-2002); San Francisco Bay Area Artists: David Park (1911-1960) and Richard Diebenkorn (1922- 1993); New York Sculpture at Mid-Century; David Smith (1906-1965); Isamu Noguchi (1904-1988); Louise Bourgeois (1911-2010); Joseph Cornell (1903-1972); Postwar American Photography; Photojournalism: Margaret Bourke-White (1904-1971) and Robert Capa (1913-1954); Abstraction: Minor White (1908-1976), Harry Callahan (1912-1999), and Aaron Siskind (1903-1991); Urban Life: Helen Levitt (1913-2009), Lisette Model (1901-1983), Gordon Parks (1912-2006), and Roy DeCarava (1919-2009); The Family of Man; Robert Frank (1924-2019); Chapter 13: Postwar Art in Europe; Art Informel in France; Jean Fautrier (1898-1964)’s Hostages; Wols (1913-1951); Georges Mathieu (1921-2012); Pierre Soulages (1919-2022); School of Paris Abstraction: Maria Helena Vieria da Silva (1908-1992); Art Informel in Italy and Spain ; Lucio Fontana (1899-1968); Alberto Burri (1915-1995); Antoni Tapies (1923-2012); Postwar Figuration in France; Jean Dubuffet (1901-1985); The Cobra Artists; The Later Work of Alberto Giacometti; Germaine Richier (1902-1959); Postwar Figuration in Britain; The Later Work of Henry Moore and Barbara Hepworth; Francis Bacon (1909-1992) and Lucian Freud (1922-2011); Chapter 14: Between Art and Life: International Trends of the 1950s and 1960s; Assemblage in the United States ; Robert Rauschenberg (1925-2008); Jasper Johns (b. 1930); Louise Nevelson (1899-1988); Mark di Suvero (b. 1933); John Chamberlain (1927-2011); Lee Bontecou (b. 1931); Edward Kienholz (1997-1924); Romare Bearden (1911-1988); Cy Twombly (1928-2011); The New Documents Photographers ; Diane Arbus (1923-1971); Lee Friedlander (b. 1934); Garry Winogrand (1928-1984); Nouveau Realisme; Arman (1928-2005); Jean Tinguely (1925-1991); Niki de Saint Phalle (1930-2002); Yves Klein (1928-1962); Gutai; Tanaka Atsuko (1932-2005); Happenings; Allan Kaprow (1927-2006); Yayoi Kusama (b. 1929); Fluxus; Yoko Ono (b. 1933); Nam June Paik (1932-2006); Joseph Beuys (1921-1986); Brazilian Neo-Concretism; Lygia Clark (1920-1988); Lygia Pape (1927-2004); Helio Oiticica (1937-1980); Chapter 15: Pop Art; The Independent Group; Eduardo Paolozzi (1924-2005); Richard Hamilton (1922-2011); British Pop; Peter Blake (b. 1932); Pauline Boty (1938-1966); David Hockney (b. 1937); New York Pop; Claes Oldenburg (1929-2022); Roy Lichtenstein (1923-1997); Andy Warhol (1928-1987); James Rosenquist (1933-2017); Robert Indiana (1928-2018); Tom Wesselmann (1931-2004); Jim Dine (b. 1935); George Segal (1924-2000); Marisol (1930-2016); California Pop; Ed Ruscha (b. 1937); Wayne Thiebaud (1920-2021); German Capitalist Realism; Gerhard Richter (b. 1932); Sigmar Polke (1941-2010); Pop Art in Argentina; Delia Cancela (b. 1940); Marta Minujin (b. 1943); Pop Art and Politics in Brazil; Antonio Dias (1944-2018); Wanda Pimentel (1943-2019); Japanese Pop ; Ushio Shinohara (b. 1932); Tadanori Yokoo (b. 1936); Chapter 16: Abstraction in North America and Europe in the 1960s; Post-Painterly Abstraction; Stained Canvas Color Field Painting; Helen Frankenthaler (1928-2011); Morris Louis (1912-1962); Kenneth Noland (1924-2010); Jules Olitski (1922-2007); Jack Bush (1909-1977); Alma Thomas (1891-1978); Hard Edge Painting; Ellsworth Kelly (1923-2015); Carmen Herrera (1915-2022); Precursors of Minimalism: Agnes Martin (1912-2004) and Frank Stella (b. 1936); Abstract Sculpture in Britain: Anthony Caro (1924-2013) and the New Generation; Op Art; Victor Vasarely (1906-1997); Bridget Riley (b. 1931); Jesus Rafael Soto (1923-2005); Kinetic Art; Minimalism; Donald Judd (1928-1994); Robert Morris (1931-2018); Dan Flavin (1933-1996); Carl Andre (b. 1935); Anne Truitt (1921-2004); Light and Space Art; Robert Irwin (b. 1928); James Turrell (b. 1943); Chapter 17: Mid-Century Modern Architecture, c. 1920-1970; The First Wave of the International Style; The Early Architecture of Le Corbusier (1887-1965); Eileen Gray (1878-1976); The Early Architecture of Ludwig Mies van der Rohe (1886-1969); Expressionist Architecture in Germany; Erich Mendelsohn (1887-1953); The Early Diffusion of the International Style to the United States; The Later Work of Frank Lloyd Wright; The Organic Architecture of Alvar Aalto (1898-1976); The Later Work of Le Corbusier; The Later Work of Mies van der Rohe; Resurgent Expressionism ; Eero Saarinen (1910-1961); Jorn Utzon (1918-2008); Louis Kahn (1901-1974); Mid-Century Modern Architecture in Latin America; Mexico; Juan O’Gorman (1905-1982); Luis Barragan (1902-1988); Brazil; The Ministry of Education and Health; Oscar Niemeyer (1907-2012); Costa and Niemeyer’s Brasilia; Lina Bo Bardi (1914-1992); Mid-Century Modern Architecture in Japan ; Kenzo Tange (1913-2005); Megastructures; The Metabolists; Archigram; Constant (1920-2005); Chapter 18: Modern Art in India, Africa, and the Middle East, Mid-Twentieth Century; India; The Progressive Artists’ Group; M. F. Husain (1915-2011); F. N. Souza (1924-2002); S. H. Raza (1922-2016); K. G. Subramanyan (1924-2016); Nasreen Mohamedi (1937-1990); Modern African Art; West Africa; Nigeria; Ben Enwonwu (1917-1994); The Zaria Art Society and Uche Okeke (1933-2016); The Mbari Mbayo Club and Prince Twins Seven-Seven (1944-2011); Senegal; Mali: Seydou Keita (c. 1921-2001); East Africa; Ethiopia; Uganda; Gregory Maloba (1922-2007); Theresa Musoke (b. 1942); Southern Africa; Zimbabwe: The Shona School; South Africa; Irma Stern (1894-1966); The New Group and Walter Battiss (1906-1982); Black Artists in Segregated South Africa; Gerard Sekoto (1913-1993); Ernest Mancoba (1904-2002); The Polly Street Center: Cecil Skotnes (1926-2009) and Sydney Kumalo (1935-1988); Dumile Feni (1942-1991); North Africa; Morocco: Ahmed Cherkaoui (1934-1967); Sudan: Osman Waqialla (1925-2007) and Ibrahim El-Salahi (b. 1930); Egypt; The Art and Freedom Group and the Contemporary Art Group; The Group of Modern Art: Gazbia Sirry (1925-2021); The Middle East; Iraq; Jewad Selim (1921-1961); Hurufiyya; Madiha Omar (1908-2005) and Shakir Hassan al-Said (1925-2004); Iran; The Saqqakhaneh Artists: Charles Hossein Zenderoudi (b. 1937) and Parviz Tanavoli (b. 1937); Monir Shahroudy Farmanfarmaian (1922-2019); Israel; Anna Ticho (1894-1980); New Horizons: Yosef Zaritsky (1891-1985); Ten Plus; Chapter 19: Pluralism: Trends of the Late 1960s to Mid-1970s; Process Art ; Robert Morris (1931-2018); Eva Hesse (1936-1970); Richard Serra (b. 1939); Sam Gilliam (1933-2022) and Lynda Benglis (b. 1941); Conceptual Art; Sol LeWitt (1928-2007); Joseph Kosuth (b. 1945); On Kawara (1932-2014); Cildo Meireles (b. 1948); Conceptual Art as Institutional Critique: Daniel Buren (b. 1938), Marcel Broodthaers (1924-1976), and Hans Haacke (b. 1936); The Art Workers’ Coalition and the New York Art Strike; Bernd (1931-2007) and Hilla (1934-2015) Becher ; Arte Povera; Mono-ha: Nobuo Sekine (1942-2020) and Lee Ufan (b. 1936); Land Art and Site-Specific Works; Robert Smithson (1938-1973); Michael Heizer (b. 1944); Richard Long (b. 1945); Walter De Maria (1935-2013); Nancy Holt (1938-2014); Christo (1935-2020) and Jeanne Claude (1935-2009); Gordon Matta-Clark (1943-1978); Body and Performance Art; Bruce Nauman (b. 1941); Gilbert (b. 1943) and George (b. 1942); Vito Acconci (1940-2017); Chris Burden (1946-2015) and Marina Abramovic (b. 1946); Representational Painting and Sculpture in the United States; The Feminist Art Movement ; Womanhouse; Women’s Work: Harmony Hammond (b. 1944), Mierle Laderman Ukeles (b. 1939), Mary Kelly (b. 1941), and Martha Rosler (b. 1943); Judy Chicago (b. 1939) The Dinner Party; Miriam Schapiro (1923-2015) and the Pattern and Decoration Movement; Feminist Body and Performance Art; Hannah Wilke (1940-1993); Carolee Schneemann (1939-2019); Ana Mendieta (1948-1985); The Black Arts Movement; Wadsworth Jarrell (b. 1929); David Hammons (b. 1943); Black Feminist Art; Faith Ringgold (b. 1930); Betye Saar (b. 1926); Fritz Scholder (1937-2005) and T.C. Cannon (1946-1978): Critical Native American Painters; The Chicano Art Movement; Chapter 20: Postmodernism: Art in Europe and the United States from the Late 1970s to Late 1980s; Neo-Expressionism; American Neo-Expressionism; Julian Schnabel (b. 1951); David Salle (b. 1952); Eric Fischl (b. 1948); Leon Golub (1922-2004); Sue Coe (b. 1951); The Italian Transavanguardia; Francesco Clemente (b. 1952); German Neo-Expressionism; Georg Baselitz (b. 1938); Anselm Kiefer (b. 1945); Jorg Immendorff (1945-2007); Sigmar Polke and Gerhard Richter; Nonconformist Soviet Art: Komar (b. 1943) and Melamid (b. 1945), and Ilya Kabakov (b. 1933); Graffiti Art and Its Influence; Keith Haring (1958-1990); Jean-Michel Basquiat (1960-1988); Tim Rollins (1955-2017) K.O.S.; Black Artists Countering Racism: David Hammons (b. 1943) and Adrian Piper (b. 1948); Photo-Based Postmodern Appropriation Art in the United States; Richard Prince (b. 1949); Sherrie Levine (b. 1947); Barbara Kruger (b. 1945); Guerilla G
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