This book covers Singapore’s key arts policies and art institutions which have shaped the cultural landscape of the country from the 1950s to the present. The scholars and experts in this volume critically assess arts policies and arts institutions to collectively provide an overview of how arts and culture have been deployed by the state. The chapters are arranged chronologically to cover milestone events from the forging of ’Malayan culture’; the government’s ’anti-yellow culture’ campaign; the use of ’culture’ for tourism; the setting up of the Advisory Council on Arts and Culture, the Renaissance City Report, the setting up of the School of the Arts, and others. Putting to rest the notion that Singapore is a ’cultural desert’, this volume is valuable reading for students of cultural policy, policy makers who seek an understanding of Singapore’s cultural trajectory, and for international readers interested in Singapore’s arts and cultural policy. Key Features: ○ Firstly, as mentioned above, this book is unique because there is no equivalent in the market. It will be a convenient reference for scholars and students working on cultural policies and arts in Singapore. It will be used as core reading for university courses ○ Secondly, many of the cultural policies and institutions are critically reassessed for a new reading. For example, while institutions like the Esplanade, the National Arts Council and SOTA, are well known in the local landscape, they are examined by younger scholars and are recontextualised for a fresh understanding ○ Thirdly, there are several prominent contributors too including Prof Lily Kong; Prof Koh Tai Ann; Prof TC Chang; Arun Mahizhnan; and Clarissa Oon. These contributors will draw readers to the volume

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