Dance on Its Own Terms:Histories and Methodologies

Dance on Its Own Terms:Histories and Methodologies
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作者

Bales, Melanie; Eliot, Karen

出版社

Oxford University Press

出版时间

2013年06月13日

装帧

ＩＳＢＮ

9780199939985

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页码

456

开本

235x156mm

语种

英文

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Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance.

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Princeton University Library

INTRODUCTION; SECTION ONE: In the moment of re-creation and performance; Section One Introduction; Chapter 1: Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet, Karen Eliot; Chapter 2: Reimagining Le Boeuf sur le Toit, Ann Dils; Chapter 3: Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance, Deborah Friedes Galili; Chapter 4: The Body Censored: Dance, Morality and the Production Code during the Golden Age of the Film Musical, Betsy Cooper; Chapter 5: ?Single Ladies? is Gay: Queer Performances and Mediated Masculinities on YouTube, Harmony Bench; SECTION TWO: Within the body and mind of the dancer and choreographer; Section Two Introduction; Chapter 6: La Cosmografia del minor mondo: Recovering Dance Theory to Create Today?s Baroque Practice, Catherine Turocy; Chapter 7: Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe, Melanie Bales; Chapter 8: Pavlova and her Daughters: Genealogies of Contingent Autonomy, Carrie Gaiser Casey; Chapter 9: Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein, Geraldine Morris; Chapter 10: Kaddish at the Wall: The Long Life of Anna Sokolow?s ?Prayer for the Dead,? Hannah Kosstrin; Chapter 11: Developing the American Ballet Dancer: The Pedagogical Lineage of Rochelle Zide-Booth, Jessica Zeller; SECTION THREE: In the shape of written records; Section Three Introduction; Chapter 12: Recording the Imperial Ballet: Anatomy and Ballet in Stepanov?s Notation, Sheila Marion; Chapter 13: Musical Expression in the Bournonville-Lovenskjold La Sylphide Variation, Rebecca Schwartz-Bishir; Chapter 14: Archives of Embodiment: Visual Culture and the Practice of Score Reading, Victoria Watts; Chapter 15: Reading Music, Gesture, and Dualism in Mark Morris? Dido and Aeneas, Rachael Riggs-Leyva; Chapter 16: What?s in a Dance? The Complexity of Information in Writings about Dance, Candace Feck; CONTRIBUTOR BIOGRAPHIES; INDEX

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