图书简介
This book asks new questions about how Shakespeare engages with source material, and what should be counted as sources. The essays demonstrate that source study remains an indispensable mode of inquiry for understanding Shakespeare, his authorship and audiences, and early modern gender, racial, and class relations, as well as for considering how new technologies redefine our understanding of Shakespeare. They revise conceptions of sources and intertextuality to include terms like ’haunting,’ ’sustainability,’ ’microscopic sources,’ ’contamination,’ ’fragmentary circulation’ and ’cultural conservation, examining print and material culture, theatrical paradigms, and oral narratives.
Introduction Part 1: Source Study and Early Modern Cultural Diversity 1. Toward a Sustainable Source Study Lori Newcomb 2. The Multiplicity of Race and Literary Contamination in Othello Dennis Austin Britton 3. Translating Plautus to Bohemia Jane Tylus 4. Veiled Revenants and the Return of Theory: Euripides’ Alcestis with and Against the Novella in Much Ado about Nothing Susanne Wofford Part 2: Sources and Audiences 5. Reconstructing Holinshed: New Source Study and Romance in Henry VIII Dimitry Senyshyn 6. Traces of Knowledge: Microscopic Source Study in Cymbeline and Lear Meredith Beales 7. Shakespeare?s Transformative Art: Theatrical Paradigms as Sources in All?s Well that Ends Well and Macbeth David Kay Part 3: Authorship, Transmission, Identification 8. The Author?s Choices in The Two Gentlemen of Verona Meredith Skura 9. Probable Impossibilities: The Comedy of Errors and the Perils of Old and New Source Study Kent Cartwright 10. The Catastrophe of the Old Comedy Michael Best 11. Source Study and its Discontents: Or, the Curious Case of Master William Shakespeare and the Red Herrings Mark Houlahan Part 4: Source Study in the Digital Age 12. Greenblatt, Graveyards, and Google Brett Hirsch and Laurie Johnson 13. ?Tangled in a net?: Shakespeare the Adaptor/Shakespeare as Source Janelle Jenstad 14. Lost Sources David McInnis
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