In the Process of Becoming:Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music

图书简介

This philosophically-inspired approach to the perception of form in early nineteenth-century music invites listeners and especially performers to assess and participate in the interpretation of transformative formal processes as they unfold in time. It proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication.

Preface; Chapter 1 Introduction: The Idea of Musical Form as Process; Chapter 2 The Beethoven-Hegelian Tradition and the Tempest Sonata; - Formation of the Tradition; - Dahlhaus and the Tempest Sonata; - Post-Dahlhausian Critiques; - The question of a secondary theme; - Introduction or main theme; - ST2 and the final cadence of the exposition; Chapter 3 The Processual Legacy of the Late Eighteenth Century; - Haydn-String Quartet in C Major, Op. 33, No. 3 (Hob. III:39), first movement; - Haydn-Piano Trio in C Major (Hob. XV:27), finale; - Clementi-Piano Sonata in F Minor, Op. 13, No. 6, first movement; - Mozart-Le nozze di Figaro, Act I, No. 7, Trio in B-flat; Chapter 4 Beethoven’s Bridgetower Sonata, Op. 47; Chapter 5 On Performance, Analysis, and Schubert; - Schubert-Piano Sonata in A Minor, Op. 42, D. 845; Chapter 6 Music that Turns Inward: New Roles for Interior Movements and Secondary Themes; - Schubert-Allegro in A Minor for Four Hands, Lebenssturme, D. 947; - Schubert-Piano Trio in E-flat Major, Op. 100, D. 929; Chapter 7 Mendelssohn the Mozartean; - String Quartet in A Minor, Op. 13: opening of the finale; - The Piano Trio in D Minor, Op. 49, first movement: opening of the exposition; - The Octet, Op. 20; - The finale; - The opening of the first movement; - More on Mendelssohn’s codas: Overture to Midsummer Night’s Dream and the Scherzo of the D-minor Piano Trio; Chapter 8 sed non eodem modo: Chopin’s Ascending-Thirds Progression and his Cello Sonata, Op. 65; - Overview with respect to Chopin’s genres; - First movement of the Cello Sonata: Allegro moderato; -Third movement of the Cello Sonata: Largo; Chapter 9 Coming Home; - Robert Schumann-Mondnacht, from Liederkreis, Op. 39; - Robert Schumann-Widmung, from Myrthen, Op. 25; - Clara Schumann-Die stille Lotosblume, Op. 13, No. 6; - Robert Schumann-Arabeske, Op. 18; - Robert Schumann-Fantasie, Op. 17; Notes; Bibliography; Index

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In the Process of Becoming:Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music（Oxford Studies in Music Theory） 在参与中体味: 十九世纪早期音乐形式分析哲学论 音乐

In the Process of Becoming:Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music（Oxford Studies in Music Theory）

在参与中体味: 十九世纪早期音乐形式分析哲学论
音乐