Preface; Part 1: The Foundations of Tonal Music; Chapter 1A: Musical Space; Chapter 1B: Musical Time: Pulse, Rhythm, and Meter; Chapter 2: Harnessing Space and Time: Introduction to Melody and Two-Voice Counterpoint; Chapter 3: Musical Density: Triads, Seventh Chords, and Texture; Part 2: Merging Melody and Harmony; Chapter 4: When Harmony, Melody, and Rhythm Converge; Chapter 5: Tonic and Dominant as Tonal Pillars and Introduction to Voice Leading; Chapter 6: The Impact of Melody, Rhythm, and Meter on Harmony; Introduction to V7; and Harmonizing Florid Melodies; Chapter 7: Contrapuntal Expansions of Tonic and Dominant: Six-Three Chords; Chapter 8: More Contrpuntal Expansions: Inversions of V7, Introduction to Leading-Tone Seventh Chords, and Reduction and Elavoration; Part 3: A New Harmonic Function, The Phrase Model, and Additional Melodic and Harmonic Embellishments; Chapter 9: The Pre-Dominant Function and the Phrase Model; Chapter 10: Accented and Chromatic Embellishing Tones; Chapter 11: Six-Four Chords, Revisiting the Subdominant, and Summary of Contrapuntal Expansions; Chapter 12: The Pre-Dominant Refines the Phrase Model; Part 4: New Chords and New Forms; Chapter 13: The Submediant: A New Diatonic Harmony, and Further Extensions of the Phrase Model; Chapter 14: The Mediant, the Back-Relating Dominant, and a Synthesis of Diatonic Harmonic Relationships; Chapter 15: The Period; Chapter 16: Other Small Musical Structures: Sentences, Double Periods, and Modified Periods; Chapter 17: Harmonic Sequences; Part 5: Functional Chromaticism; Chapter 18: Applied Chords; Chapter 19: Tonicization and Modulation; Chapter 20: Binary Form and Variations; Part 6: Expressive Chromaticism; Chapter 21: Modal Mixture; Chapter 22: Expansion of Modal Mixture Harmonies: Chromatic Modulation and the German Lied; Chapter 23: The Neapolitan Chord (bII); Chapter 24: The Augmented Sixth Chord; Part 7: Large Forms: Ternary, Rondo, Sonata; Chapter 25: Ternary Form; Chapter 26: Rondo; Chapter 27: Sonata Form; Part 8: Introduction to Nineteenth-Century Harmony: The Shirt from Asymmetry to Symmetry; Chapter 28: New Harmonic Tendencies; Chapter 29: Melodic and Harmonic Symmetry Combine: Chromatic Sequences; Part 9: Twentieth and Twenty-First-Century Music; Chapter 30: Vestiges of Common Practice and the Rise of a New Sound World; Chapter 31: Noncentric Music: Atonal Concepts and Analytical Methodology; Chapter 32: New Rhythmic and Metric Possibilities, Ordered PC Relations, and Twelve-Tone Techniques; Appendices; Appndix 1: Invertible Counterpoint, Compound Melody, and Implied Harmonies; Appendix 2: The Motive; Appendix 3: Additional Harmonic-Sequence Topics; Appendix 4: Abbreviations and Acronyms; Appendix 5: Selected Answers to Textbook Exercises; Glossary; Index
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