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Contents: Festschrift; Great, Scott!, Stan Hawkins; Evidence of things not seen: history, subjectivities, music, Susan McClary; Musical identities, learning and education: some cross-cultural issues, Lucy Green; Béla Bartók: reintegrating the semantic and syntactic axes in Bluebeard’s Castle, David Cooper; Amusing the cultivated classes and cultivating the masses: changes in concert repertoires in 19th-century Helsinki, Vesa Kurkela; From schizophonia to paraphonia – on the cultural mix of digitally generated pop-sounds, Peter Wicke; Material culture and decentred selfhood (socio-visual typologies of musical excess), Richard Leppert; ’As fast as one possibly can…’ Virtuosity, a truth of musical performance, Antoine Hennion; On music criticism and affect: two cases of the disaffected acoustic imaginary, John Richardson; The development of Bob Dylan’s rhythmic sense: ’the times they were a’changin’ (1958–1964), Charlie Ford; How genres are born, change, die: conventions, communities and diachronic processes, Franco Fabbri; Anatomy of the encounter: intercultural analysis as relational musicology, Nicholas Cook; One way of feeling: contextualizing a hermeneutics of spatialisation, Allan F. Moore; The virtuoso body, or, the two births of musical performance, Lawrence Kramer; Epilogue, Sheila Whiteley; Index.

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