图书简介
The Aesthetic Mind breaks new ground in bringing together empirical sciences and philosophy to enhance our understanding of art and the aesthetic. An eminent international team of experts explores the roles of emotion, imagination, empathy, and beauty in this realm of human experience, discussing visual and literary art, music, and dance.
Elisabeth Schellekens and Peter Goldie: Introduction; PART 1: The PSYCHOLOGY OF THE AESTHETIC; 1 Gregory Currie: The Master of the Masek Beds: Handaxes, Art and the Minds of Early Humans; 2 Matthew Kieran: The Fragility of Aesthetic Knowledge: Aesthetic Psychology and Appreciative Virtues; 3 Dahlia W. Zaidel: Neuroscience, Biology, and Brain Evolution in Visual Art; 4 Roman Frigg & Catherine Howard: Fact and Fiction in the Neuropsychology of Art; PART 2: EMOTION IN AESTHETIC EXPERIENCE; 5 Jesse Prinz: Emotion and Aesthetic Value; 6 Roddy Cowie: Beauty is Felt, not Calculated; and it Does Not fit in Boxes; 7 Peter Goldie: The Ethics of Aesthetic Bootstrapping; 8 Edmund Rolls: The Origins of Aesthetics: A Neurobiological Basis for Affective Feelings and Aesthetics; PART 3: BEAUTY AND UNIVERSALITY; 9 I. C. McManus: Beauty is Instinctive Feeling: Experimenting on Aesthetics and Art; 10 Jerrold Levinson: Beauty Is Not One: The Irreducible Variety of Visual Beauty; 11 Robert Layton: Aesthetics: The Approach from Social Anthropology; 12 Elisabeth Schellekens: Experiencing the Aesthetic: Kantian Autonomy or Evolutionary Biology?; PART 4: IMAGINATION AND MAKE-BELIEVE; 13 Aaron Meskin and Jonathan Weinberg: Imagination Unblocked; 14 Dorothy & Jerome Singer: An Attitude Towards the Possible: The Contributions of Pretend Play to Later Adult Consciousness; 15 Kathleen Stock: Unpacking the Boxes: The Cognitive Theory of Imagination and Aesthetics; PART 5: FICTION AND EMPATHY; 16 David Miall: Enacting the Other: Towards an Aesthetics of Feeling in Literary Reading; 17 Peter Lamarque: On Keeping Psychology Out of Literary Criticism; 18 Zanna Clay & Marco Iacoboni: Mirroring Fictional Others; PART 6: MUSIC, DANCE, AND EXPRESSIVITY; 19 Noel Carroll & Margaret Moore: Moving in Concert: Dance and Music; 20 David Davies: ’I’ll Be Your Mirror’?: Embodied Agency, Dance, and Neuroscience; 21 William Forde Thompson & Lena Quinto: Music and Emotion: Psychological Considerations; 22 Stephen Davies: Cross-cultural Musical Expressiveness: Theory and the Empirical Programme; PART 7: PICTORIAL REPRESENTATION AND APPRECIATION; 23 Mark Rollins: Neurology and the New Riddle of Pictorial Style; 24 Norman H. Freeman: Varieties of Pictorial Judgement: A Functional Account; 25 Derek Matravers: Pictorial Representation and Psychology; Index
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